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A look at the sexual and professional lives of three people — a television director, his ex-girlfriend, and a sex worker.
Every Man for Himself
The film's subject is a photograph of Jane Fonda visiting Hanoi during the Vietnam War. It asks what the position of the intellectual should be in...
Letter to Jane: An Investigation About a Still
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home....
Here and Elsewhere
While shooting a film, the director becomes interested in the unfolding struggle of a young factory worker that has been laid off by a boss who did...
Godard's Passion
Jean-Luc Godard mixes video and film in his Grenoble studio, discussing how he secured funding for the film. The action unfolds on two monitors, as a...
Number Two
In these five concatenated sequences, each begun in medias res and each resulting in the same conclusion, a woman meets a man and, each time, the...
How Can I Love (A Man When I Know He Don't Want Me)
During the making of a video film about a communist printing press, a union member and a leftist activist discuss how to present their information,...
How's It Going?
In this astonishing twelve-part project for and about television — the title of which refers to a 19th-century French primer Le tour de la...
France / Tour / Detour / Two / Children
Jean-Luc Godard proposes a diary of his creative process. Looking at photos of three actors, Jacques Dutronc, Isabelle Huppert, and Miou-Miou, who...
Scénario de 'Sauve qui peut la vie'
The title and subtitle of this French miniseries are “Six Times Two; Over and under the media”. The “six” refers to the fact...
Six fois deux/Sur et sous la communication
1981: at the moment the left won power, French television commissioned Godard to make a film on the theme of change. Like Lettre à Freddy...
To Alter the Image
The mythical 1973-1974 strike at the LIP watch factory in Besançon (France), was one of the largest social struggles of the second half of the...
LIP or A taste for collective action